34 papers:
CHI-2015-MyersLLYFB #undo- Selective Undo Support for Painting Applications (BAM, AL, TML, YY, AF, JB), pp. 4227–4236.
DHM-HM-2015-KanoAKH #case study #design #information management- A Study of the Tacit Knowledge on the Design of Kimono Patterns from Japanese Painting (MK, HA, NK, HH), pp. 307–315.
HIMI-IKC-2015-OgusuOKY #generative #music- Enhancing Abstract Imaginations of Viewers of Abstract Paintings by a Gaze Based Music Generation System (TO, JO, JK, SY), pp. 457–464.
CHI-2014-NakajimaSI #animation #authoring- Offline painted media for digital animation authoring (MN, DS, TI), pp. 321–330.
ECIR-2014-TraubOHH #effectiveness- Measuring the Effectiveness of Gamesourcing Expert Oil Painting Annotations (MCT, JvO, JH, LH), pp. 112–123.
ICTSS-2014-MossigeGM #case study #constraints #industrial #programming #testing #using- Testing Robotized Paint System Using Constraint Programming: An Industrial Case Study (MM, AG, HM), pp. 145–160.
ICDAR-2013-AlaeiDG #detection #probability #representation #using- Logo Detection Using Painting Based Representation and Probability Features (AA, MD, NG), pp. 1235–1239.
DUXU-NTE-2013-Lam #interactive #using- Creating Instantly Disappearing Prints Using Thermochromic Paint and Thermal Printer in an Interactive Art Installation (MLL), pp. 290–295.
ICST-2013-MossigeGM #constraints #generative #integration #programming #testing #using- Test Generation for Robotized Paint Systems Using Constraint Programming in a Continuous Integration Environment (MM, AG, HM), pp. 489–490.
CASE-2012-LeeK #automation #development- Development of semi-automatic painting system for inner hull block structures (DHL, HKK), pp. 833–836.
CIKM-2012-XuKZ #generative #timeline #word- A picture paints a thousand words: a method of generating image-text timelines (SX, LK, YZ), pp. 2511–2514.
ICML-2012-XieHS #approach #automation #generative #learning- Artist Agent: A Reinforcement Learning Approach to Automatic Stroke Generation in Oriental Ink Painting (NX, HH, MS), p. 139.
ICPR-2012-AroraE #automation #case study #classification #comparative #towards- Towards automated classification of fine-art painting style: A comparative study (RSA, AME), pp. 3541–3544.
ICDAR-2011-AlaeiNP11a #algorithm #approach #documentation- A New Text-Line Alignment Approach Based on Piece-Wise Painting Algorithm for Handwritten Documents (AA, PN, UP), pp. 324–328.
ICDAR-2011-AlaeiPNK #documentation #estimation- A Painting Based Technique for Skew Estimation of Scanned Documents (AA, UP, PN, FK), pp. 299–303.
HCI-DDA-2011-HeL #graph #image #modelling #segmentation- An Image Segmentation Method for Chinese Paintings by Combining Deformable Models with Graph Cuts (NH, KL), pp. 571–579.
CHI-2010-FuXH #3d #interactive #interface #multi #named- LayerPaint: a multi-layer interactive 3D painting interface (CWF, JX, YH), pp. 811–820.
CHI-2009-SeitingerPM- Urban pixels: painting the city with light (SS, DSP, WJM), pp. 839–848.
CASE-2008-ChenFL #automation #bibliography #industrial #perspective #process- Automated industrial robot path planning for spray painting process: A review (HC, TAF, XL), pp. 522–527.
ICPR-v1-2006-StorkJ #analysis #image- Estimating the location of illuminants in realist master paintings Computer image analysis addresses a debate in art history of the Baroque (DGS, MKJ), pp. 255–258.
ICPR-v2-2006-Lu #evaluation #similarity- Joint Distributions based on DFB and Gaussian Mixtures for Evaluation of Style Similarity among Paintings (XL), pp. 865–868.
ICPR-v1-2004-TominagaTK #estimation #multi #using- Estimation of Surface Properties of Art Paintings Using a Multi-band Camera (ST, NT, TK), pp. 92–95.
ICPR-v2-2004-Hammoud #visual notation- Color Texture Signatures for Art-Paintings vs. Scene-Photographs Based on Human Visual System (RIH), pp. 525–528.
ICPR-v2-2004-KovacsS #performance- Efficient Coding of Stroke-Rendered Paintings (LK, TS), pp. 835–838.
ICPR-v4-2004-CriminisiS #comparison- Did the great masters use optical projections while painting? Perspective Comparison of Paintings and Photographs of Renaissance Chandeliers (AC, DGS), pp. 645–648.
KDD-2003-TeohM #interactive #named #visualisation- PaintingClass: interactive construction, visualization and exploration of decision trees (STT, KLM), pp. 667–672.
HCI-EI-1999-Baudisch #scalability #using- Using a Painting Metaphor to Rate Large Numbers of Objects (PB), pp. 266–270.
ICPR-1998-BrucksteinHHN #3d #estimation- New devices for 3D pose estimation: mantis eyes, Agann paintings, sundials, and other space fiducials (AMB, RJH, TSH, ANN), pp. 305–309.
ICPR-1998-GriffinWSKC #approach- An MRF approach for interpreting thermochromic paint (AG, TW, AJS, JK, RCC), pp. 1741–1743.
ICPR-1998-SablatnigKZ #classification #modelling #using- Hierarchical classification of paintings using face- and brush stroke models (RS, PK, EZ), pp. 172–174.
ICPR-1996-GriffinKWM- Techniques for the interpretation of thermal paint coated samples (AG, JK, TW, JM), pp. 959–963.
ICPR-1996-Hachimura #retrieval #using- Retrieval of paintings using principal color information (KH), pp. 130–134.
OOPSLA-ECOOP-1990-McDonaldSB #multi- Painting Multiple Views of Complex Objects (JAM, WS, AB), pp. 245–257.
CHI-1989-WareB #parametricity- Bat brushes: on the uses of six position and orientation parameters in a paint program (CW, CB), pp. 155–160.