Stem paint$ (all stems)

34 papers:

CHI-2015-MyersLLYFB #undo

Selective Undo Support for Painting Applications (BAM, AL, TML, YY, AF, JB), pp. 4227–4236.

DHM-HM-2015-KanoAKH #case study #design #information management

A Study of the Tacit Knowledge on the Design of Kimono Patterns from Japanese Painting (MK, HA, NK, HH), pp. 307–315.

HIMI-IKC-2015-OgusuOKY #generative #music

Enhancing Abstract Imaginations of Viewers of Abstract Paintings by a Gaze Based Music Generation System (TO, JO, JK, SY), pp. 457–464.

CHI-2014-NakajimaSI #animation #authoring

Offline painted media for digital animation authoring (MN, DS, TI), pp. 321–330.

ECIR-2014-TraubOHH #effectiveness

Measuring the Effectiveness of Gamesourcing Expert Oil Painting Annotations (MCT, JvO, JH, LH), pp. 112–123.

ICTSS-2014-MossigeGM #case study #constraints #industrial #programming #testing #using

Testing Robotized Paint System Using Constraint Programming: An Industrial Case Study (MM, AG, HM), pp. 145–160.

ICDAR-2013-AlaeiDG #detection #probability #representation #using

Logo Detection Using Painting Based Representation and Probability Features (AA, MD, NG), pp. 1235–1239.

DUXU-NTE-2013-Lam #interactive #using

Creating Instantly Disappearing Prints Using Thermochromic Paint and Thermal Printer in an Interactive Art Installation (MLL), pp. 290–295.

ICST-2013-MossigeGM #constraints #generative #integration #programming #testing #using

Test Generation for Robotized Paint Systems Using Constraint Programming in a Continuous Integration Environment (MM, AG, HM), pp. 489–490.

CASE-2012-LeeK #automation #development

Development of semi-automatic painting system for inner hull block structures (DHL, HKK), pp. 833–836.

CIKM-2012-XuKZ #generative #timeline #word

A picture paints a thousand words: a method of generating image-text timelines (SX, LK, YZ), pp. 2511–2514.

ICML-2012-XieHS #approach #automation #generative #learning

Artist Agent: A Reinforcement Learning Approach to Automatic Stroke Generation in Oriental Ink Painting (NX, HH, MS), p. 139.

ICPR-2012-AroraE #automation #case study #classification #comparative #towards

Towards automated classification of fine-art painting style: A comparative study (RSA, AME), pp. 3541–3544.

ICDAR-2011-AlaeiNP11a #algorithm #approach #documentation

A New Text-Line Alignment Approach Based on Piece-Wise Painting Algorithm for Handwritten Documents (AA, PN, UP), pp. 324–328.

ICDAR-2011-AlaeiPNK #documentation #estimation

A Painting Based Technique for Skew Estimation of Scanned Documents (AA, UP, PN, FK), pp. 299–303.

HCI-DDA-2011-HeL #graph #image #modelling #segmentation

An Image Segmentation Method for Chinese Paintings by Combining Deformable Models with Graph Cuts (NH, KL), pp. 571–579.

CHI-2010-FuXH #3d #interactive #interface #multi #named

LayerPaint: a multi-layer interactive 3D painting interface (CWF, JX, YH), pp. 811–820.

CHI-2009-SeitingerPM

Urban pixels: painting the city with light (SS, DSP, WJM), pp. 839–848.

CASE-2008-ChenFL #automation #bibliography #industrial #perspective #process

Automated industrial robot path planning for spray painting process: A review (HC, TAF, XL), pp. 522–527.

ICPR-v1-2006-StorkJ #analysis #image

Estimating the location of illuminants in realist master paintings Computer image analysis addresses a debate in art history of the Baroque (DGS, MKJ), pp. 255–258.

ICPR-v2-2006-Lu #evaluation #similarity

Joint Distributions based on DFB and Gaussian Mixtures for Evaluation of Style Similarity among Paintings (XL), pp. 865–868.

ICPR-v1-2004-TominagaTK #estimation #multi #using

Estimation of Surface Properties of Art Paintings Using a Multi-band Camera (ST, NT, TK), pp. 92–95.

ICPR-v2-2004-Hammoud #visual notation

Color Texture Signatures for Art-Paintings vs. Scene-Photographs Based on Human Visual System (RIH), pp. 525–528.

ICPR-v2-2004-KovacsS #performance

Efficient Coding of Stroke-Rendered Paintings (LK, TS), pp. 835–838.

ICPR-v4-2004-CriminisiS #comparison

Did the great masters use optical projections while painting? Perspective Comparison of Paintings and Photographs of Renaissance Chandeliers (AC, DGS), pp. 645–648.

KDD-2003-TeohM #interactive #named #visualisation

PaintingClass: interactive construction, visualization and exploration of decision trees (STT, KLM), pp. 667–672.

HCI-EI-1999-Baudisch #scalability #using

Using a Painting Metaphor to Rate Large Numbers of Objects (PB), pp. 266–270.

ICPR-1998-BrucksteinHHN #3d #estimation

New devices for 3D pose estimation: mantis eyes, Agann paintings, sundials, and other space fiducials (AMB, RJH, TSH, ANN), pp. 305–309.

ICPR-1998-GriffinWSKC #approach

An MRF approach for interpreting thermochromic paint (AG, TW, AJS, JK, RCC), pp. 1741–1743.

ICPR-1998-SablatnigKZ #classification #modelling #using

Hierarchical classification of paintings using face- and brush stroke models (RS, PK, EZ), pp. 172–174.

ICPR-1996-GriffinKWM

Techniques for the interpretation of thermal paint coated samples (AG, JK, TW, JM), pp. 959–963.

ICPR-1996-Hachimura #retrieval #using

Retrieval of paintings using principal color information (KH), pp. 130–134.

OOPSLA-ECOOP-1990-McDonaldSB #multi

Painting Multiple Views of Complex Objects (JAM, WS, AB), pp. 245–257.

CHI-1989-WareB #parametricity

Bat brushes: on the uses of six position and orientation parameters in a paint program (CW, CB), pp. 155–160.